|  | Posted by Dimitrios Tzortzakakis on 09/15/05 13:02 
--Tzortzakakis Dimitrios
 major in electrical engineering, freelance electrician
 FH von Iraklion-Kreta, freiberuflicher Elektriker
 dimtzort AT otenet DOT gr
 ? "Captain Slick" <CaptainSlick@verizon.net> ?????? ??? ??????
 news:wh1We.16814$626.9439@trndny08...
 > youknowwhothefuckiam@6url.com wrote:
 >
 > >
 > > Aside from the great image quality, I really bought this camera for the
 > > audio. You can switch the AGC off and go totally manual with this
 > > camera, monitoring manual audio levels on the LCD monitor. Something
 > > you can't do with a Canon GL1 or Sony VX2000, TRV900 etc., This is SO
 > > critical for getting decent audio.
 > >
 > I can do it with my TRV 900
 >
 > > SO, that being said. This camera has a mini-jack that will supply
 > > phantom power. What mic set up would be decent with this camera.
 > >
 >
 > I like the Azden SGM 1X but you need to adapt the XLR to mini stereo
 > plug and block the DC out on the mini-jack.
 >
 It's very easy to block with a capacitor, but I don't think it's worth the
 effort.At that price range, the camera must have an excellent
 microphone.(anyway, Xc=1/(omega*C), where Xc=0 for that frequency range,
 also audio frequencies, to allow them pass while blocking the DC, and omega
 is 2*(pi)*f, frequency in Hz.Just for comparison, the capacitor for FM and
 UHF is 1 nF, and for old-fashioned AM is 100 nF, at audio frequencies should
 be at uF range).
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