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Posted by doc on 09/17/05 17:03
i bet that's a fact. i spoke with a former pinnacle employee who said that
pinnacle actually hired an outside company to develop LE, a company called
FAST or FASST or something of that sort (sounds like fast)? i'd heard it
somewhere else but he confirmed it. that made it very understandable that
it could be sooo good because my personal experience with pinnacle through
cubase and studio hasn't been the greatest and yet my liquid trial is
running fine. i hope i get all the issues resolved before the trial runs
out :o)
from what i understand also, is that canopus pro 3 cannot handle more than
one camera and thus that will limit them from being considered although they
may have it some time in the future.
as far as the fx1 is concerned, it's getting worse every day. it appears
that the camera has 16:9 aspect ccd's and thus cannot easily produce a
quality 4:3 picture and either has to cut the way it reads or compress the
read (depending on settings) AND that it's audio is far less appealing than
somewhere between AM and FM broadcast and since we have music on this
program, that's a very limiting factor.
thus we're back to considering the Canon XL2 or anothe camera that has come
to our attention and that's the Panasonic DVX100A which has 4:3 ccd's and
does that same makeover to produce HD and thus since we're going to be 4:3
preferred, this appears to be the path of BEST objective :o)
any comments on this thought and/or the edius pro software?
doc
"AnthonyR" <nomail@nospam.com> wrote in message
news:IUKWe.13278$x43.2636495@twister.nyc.rr.com...
>
> "doc" <doc@drdimento.net> wrote in message
> news:NpIWe.179$LV5.16@trndny02...
>> please do tell me more? i surely don't wanna die. but i do wanna
>> understand and know.
>>
>> doc
>>
>> "Richard Crowley" <rcrowley@xpr7t.net> wrote in message
>> news:11ilf077bl6d7af@corp.supernews.com...
>>> "ushere" wrote ...
>>>> good luck with the shows!!!
>>>> for 3 camera you should forget any of the prosumer stuff - no sync'd tc
>>>> between cameras, no guarantee of white balance, etc.,
>>>
>>> Pay VERY CAREFUL attention to that paragraph. I will
>>> KILL you if you try to do a multi-camera live-switched
>>> production with cameras that lack CCUs and all the
>>> attendant multi-camera features.
>>
>>
>
> Doc,
> Have you seen the multicamera editing demo in LE6? I saw it live and they
> did some quick 3 camera editing, not sure how many it can do total but
> more than 3 anyway.
> It was so easy the way they sync'd them all up, it can be done to timecode
> or just sound, like a clapper board and once it's sync'd them all up, you
> can go from camera to camera, different angles so easily while editing and
> it remembers final choices by animation style keyframing, the white
> balance betweeh camera's was also adjusted with secondary color corrector
> and eye drop picker in seconds, version 6 truly adds the multi-camera
> editing where 5.5 had none.
> I would try and find the edition team doing live demos and try and see if
> it suits your needs.
> They did use their higher end broadcast software to come up with LE6, no?
> AnthonyR
>
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