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Posted by Steve King on 09/15/06 03:42
"Roy W. Rising" <rwrising@dslextreme.com> wrote in message
news:20060914195900.396$0G@newsreader.com...
> brassplyer@yahoo.com wrote:
>> hank alrich wrote:
>>
>> > Reality is that Steve has shitloads of professional audio experience,
>> > and it shows. He identified a stack of potential failure points.
>>
>> Did you see the show? Do you honestly believe any of the litany of
>> coulda-beens he listed were the problem? Maybe solar flares and Al
>> Queda could make the list too, but I betcha that's not what it was.
>>
>> Here 'ya go.
>>
>> http://youtube.com/watch?v=5N3rpySv7Kg
>
> Thanks Hank! Now that I've seen/heard it, I really can't justify the
> original poster's complaint. The vocal was there from the song's
> beginning
> ... not quite perfect, possibly coming from the lapel mic. It took
> several
> seconds for the hand mic to take over. Really nothing worth a tape stop
> and do-over.
>
> I did worse on the Oscars when Jennifer Warnes and Bill Medley finished
> "(I've Had) The Time of My Life" and I closed their hand mics. They were
> supposed to continue on the podium mics as in rehearsal. They didn't, and
> a few hundred million folks missed a few words. Oh well!
>
Now for something completely different... Hello, Roy. I've been interested
to read your posts since you stopped by a few weeks ago. I've had little
experience doing live mixing for broadcast, unless you count all those radio
shows I did with a Mexican timbale band using the mixer that came with a
Magnacord PT-6 tape recorder. So, its always nice to learn something new.
Steve King
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