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Posted by Bill on 03/20/07 13:00
Can you recommend a website with tips for dealing with HDV with Premiere
2.0?
mv@movingvision.co.uk wrote:
> In message <1174325591.943956.4340@e65g2000hsc.googlegroups.com>,
> robinchristmas@gmail.com writes
>
>> I have been shooting HDV for use in a network environment where our
>> final pieces are broadcast from BetaSX format tapes. The material I
>> have shot looks great when the camera original is screened on an HD
>> set, but the field tapes have to be transferred to BetaSX in order to
>> be edited and the final result is rather disappointing.
>>
>> Can anyone suggest the best way to preserve the HDV quality through
>> the editing process?
>>
>
> This is a repeating topic and one that has caused more misleading
> presumption than any since Hi8 was needlessly abused and degenerated by
> lazy broadcast professionals in the early 90's. It's people like your
> bodged Beta SX dubbers who have convinced too many commissioners that
> black is white and Elvis lives on the moon, unfortunately a lot of
> forelock tugging cap doffers are too willing to accept any silly tosh
> these worthies utter.
>
> HDV must be properly transcoded for editing, right now the choice of
> edit system is limited, despite the claims made by some. If this is done
> correctly it will convert to any format without undue degeneration.
> Ironically the best systems that use proper transcoding codecs are not
> the same as those systems that have managed to smoke and mirror their
> way to become 'industry standard'. Whilst FCP's so called Native HDV is
> almost up to it, Adobe Premier (1.5 Pro with HDV plug in or the
> astonishingly capable v2.0) and Canopus Edius (especially the new v4.0)
> do it better.
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