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Posted by Pre-Meltdown on 11/28/07 23:32
"Richard Crowley" <rcrowley@xp7rt.net> wrote in message
news:5r65i1F134tpsU1@mid.individual.net...
> "Pre-Meltdown" wrote ...
>> It looks like I'll be going with the canon hv20, and the question is
>> whether to use a Rodes shotgun mike (camera-mounted ROVM/VM) or the Canon
>> DM-50 mic listed as an accessory to the HV20.
>> In a makeshift studio, about 500 sq ft or so.
>>
>> A guy at B&H said that both mics are good, and that he would choose the
>> Canon mic ($149)only because it's less bulky than the Rodes ($119).
>> Any opinions? Other alternatives?
>>
>> Eventually I'll experiment for multiply-placed mics running through a
>> mixer, but right now I just want to avoid the "built-in mic sound".
>
> You won't get very far away from the "on camera" sound if the
> mic is on the camera.
>
> If you are shooting a wrestling match or something, you might
> get away with a camera-mounted shotgun indoors.
>
> But if you are doing any 1-on-1 individual speaking (demonstrating
> an exercise equipment, for example), I guarantee that the sound
> from a camera-mounted shotgun mic will NOT be acceptable.
> ANY camera-mounted shotgun microphone, even one that costs
> more than the camera.
Ahh, you remember my instructional video. :)
Notice the leap to the HV20.... :) :) :)
B&H has sort of a sale, that makes it the same price as the $700 Panasonic
GS500: 900- 100 rebate - 100 gift certif.
But some of the problems are 8' ceilings (ergo no booms), and given some
occasional vigorous motion, a lapel/lavalier mic could be noisy, with
rubbing etc.
Could I mount a couple of shotguns closer to me on tripods, just out of
camera view? Mebbe velcro one or two to the ceiling?
Someone suggesting taping a lavalier to skin, instead of clothing, to reduce
noise. I imagine a wireless mic would be called for here?
Any recs?
Appreciate any advice.
--
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Mr. P.V.'d (formerly Droll Troll), Yonkers, NY
entropic3.14decay at optonline2.718 dot net; remove pi and e to reply--ie,
all d'numbuhs
>
>
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