| Posted by Specs on 05/08/06 13:34 
"Mr. Tapeguy" <mr.tapeguy@pro-tape.com> wrote in messagenews:1147092037.424315.139260@e56g2000cwe.googlegroups.com...
 >
 > Specs wrote:
 > > "P.C. Ford" <meoh@mouse-potato.com> wrote in message
 > > news:iamt529949v6aiv7ujoh2fbu0v8m8bajfv@4ax.com...
 > > > Or is that the reason he's not around anymore?
 > >
 > > He has posted since being asked to supply data but alas has failed to
 > > deliver the aforementioned.
 > >
 > > Check out these data I've been able to locate:
 > >
 > > Brand                    Coercivity           Retentivity
 > > Fuji                         120kA/m             450mT
 > > Pana  PQ                120kA/m             450mT
 > > Maxell DVME60     120kA/m             450mT
 > > Sony PR/EX           105kA/m             500mT
 > > Sony HDV              125kA/m             550mT
 > > Pana MQ                120kA/m             500mT
 > > Sony DVCAM        105kA/m             500mT
 > >
 > > My understanding is that retentivity is the more important figure.
 > >
 > > All the above data was found by googling.  I tried to find several
 > > references to back up each data but it was not always possible.  I did
 > > however come across several posts from Mr. Tapeguy reciting his mantra
 of PQ
 > > is the better tape.  The figures above would suggest otherwise at the
 very
 > > least one shouldn't overly worry about which tape brand or type one
 uses.
 > > Just treat them with respect and there shouldn't be any problems.
 > >
 > > I am going to continue to use Sony cheapos.
 >
 > > For someone making a living out of selling tapes I am surprised that Mr.
 > > Tapeguy wasn't able to post tape data to support his claims.
 >
 >
 > "Wasn't able" is not the case.  My time available to debate in
 > newsgroups comes and goes.  My "mantra" of using Panasonic tape is
 > based largely on user experience.  I will research it when I have time.
 >
 >
 > My presence in the newsgroups is intended to help when people have a
 > question.  All too often anything that's said is challenged and I find
 > myself in a debate.  If I want to get into a debate I'll troll the
 > political newsgroups.
 >
 Well it would help if you had data to back up you claims instead of
 re-publishing Panasonic marketing BS.  That's why you end up in a debate
 because your claims don't hold up to inspection.
 
 I am genuinely interested to see if there is a significant difference
 between brands and grades within the brands.  But I've got to see some hard
 facts or some serious problems with the tapes I use before I change my
 buying habbits.
 
 > I'd be curious what your sources were but when I have time, I'll check
 > it out and as I said all along, use whatever you like.   Our experience
 > is that professional videographers prefer Panasonic professional
 > overall.   You may feel differently so use whatever you like.
 >
 On the data I found by googling and my own experiences it seems a fool's
 game to overly worry about the media one is recording to.  It would seems
 how one treats that media is far more important.  In my professional
 experience.
 
 I just entered "brand name" and "tape name" coercivity and retentivity into
 google and cross referenced what I could.  Sorry I neglected to post the
 reference URLs.
 
 > I don't make my living selling just tape and unlike the old days, spec
 > sheets are not routinely provided for everything.   I'm glad you were
 > able to find some data though, even though those statistics don't tell
 > the whole story.  Nowhere is dropout mentioned (arguably the most
 > critical spec) nor anything about the components, which is nearly
 > impossible to document.
 >
 I think there are far too many variables to make it worth worrying about.
 Treat your tapes and camera with respect and you won't go far wrong.
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