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Posted by Krazy Kanuck on 01/04/06 04:37
I was thinking that the hand held camera would pick up enough audience sound
with it's onboard mic???
Len
--
.....Order the "Accordion Evolution" documentary of the Las Vegas
International Accordion Convention from my website:
http://users.accesscomm.ca/limbery/
....Del Sur Al Norte...Regina Sk. Canada Latin and South American Folk dance
band:
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"Richard Crowley" <richard.7.crowley@intel.com> wrote in message
news:dpf7o0$n0a$1@news01.intel.com...
> "Krazy Kanuck" wrote ...
>> My music group is putting on a gig and I'm planning on taping it....due
>> to our outrageously low budget...$0
>> I'm planning on having my GL2 set up high with a (balanced) audio feed
>> from the sound board and then just having it set to a wide shot to
>> include the whole stage....I'm also planning on having a video-enthusiast
>> friend who will be on, beside, close in front etc with his hand-held 3
>> chip Panasonic (don't know exactly what model) to do close-ups etc.
>> I was going to just tell him to turn the camcorder on at the start of a
>> set (like the stationary one) and let it go to get one continuious tape
>> (also like the stationary one)
>> I plan to try to match up the audio and use video from both sources in
>> Premiere Pro.....Is there a feature that might let the audio "snap" to
>> sync with each other? I believe Liquid Ed. has some feature like this?
>> Any other suggestions and tips from you pros are most welcome....thanks
>> in advance...
>
> I've never found this to be all that difficult, even without any kind
> of "automatic feature". Espcially if you are familiar with the music.
> Good luck. Its fun.
>
> You might consider trying to mix some ambient (i.e. audience)
> sound in with the "sterile" board-feed. Otherwise, you'll see the
> audience on the video, but not hear them. This is frequently
> creepy. Or at least record the board feed on one channel and
> ambience (even from the camcorder mic) on the other channel,
> etc.
>
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