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Posted by jazu on 01/10/06 01:30
Hi special
Thanks for your response. I appreciate the time you spent to write your
tips.
I not so expierienced yet to use your adviced metod.
I belive I will some more question for you
Thanks again
"nobody special" <msu1049321@aol.com> wrote in message
news:1136785965.863855.236720@g44g2000cwa.googlegroups.com...
> Huh, have not seen my response to this, posted some time ago, I will
> give it to you again, shorter.
>
> You can do this by shooting the master in wide screen high-def,
> editing/compositing at 2k rez for the blow-ups, then outputting in SD
> rez, like the REM music video ( "Sugar cane") where it's all one
> master high-def shot by a pool, zoomed-in and out and panned digitally
> in post.
>
> But the easier, cleaner way is, do it "backwards": shoot each guy full
> frame head to toe separately on green screen, all playing to the same
> pre-recorded track so the timing stays the same. Shoot a "plate" of the
> stage, then it's easy to shrink the individual performer tracks down to
> fit 4-5 guys on the stage... but you retain each on his own video
> layer. Thus they can even move in front of and behind each other a
> little, and you can bring them up front as and when you like. Quality
> looks better, if anything, when you shrink stuff down instad of blowing
> it up. The "blow-ups" here look clean because they are not really
> blow-ups at all but full-frame shots. This effect is well within the
> cpabilities of VEGAS, it's just 4 tracks of chromakeys over a fixed
> background with DVE moves applied to each track. You don't even need a
> compositor for this.
>
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