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Posted by Nappy on 01/12/06 01:17
"Steve Guidry" <steveguidry@earthlink.net> wrote in message
news:wHgxf.4056$WY5.215@newsread2.news.pas.earthlink.net...
> If the images on the screen are to background, then you may be obsessing
> over nothing. Just set it up and do it. It's pretty straight forward.
I think we will use another Canon H1, genlocked to the shooting camera or
visa-versa to drive the projector.
>
> On the other hand, if it's gotta "pop" out at you, and the images have to
be
> the star, then it would be worth getting enough time into the schedule to
do
> a test shot the day before. Maybe it can be done, maybe not, it's a
> judgment call as to how good it has to look.
Man.. ain't that the truth. I am trying to get some test time setup. I
explained what could go wrong and it could easily be an expensive waste of
time.
>
> If the cameras are stationary, then you might shoot a safety with a green
> plug in the screen and then you could matte it in. This would give the
> added flexibility of allowing the "artistes" to change their minds about
> what should be playing on the screens. (It may be worth it to do it this
> way for this reason alone.)
Agreed. I thought it would be an easy backup to shoot..
Of course, this gets trickier if the cameras
> are moving. In any case, my preference would be for a painted plug
instead
> of the green projected screen.
True.. the screen would be directional in either case, using green screen
or program so their ability to move the camera is really already limited. I
will underscore that to them.
Hey thanks Steve.
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