|
|
Posted by Kenny Mims on 01/14/06 10:14
In article <AnPwf.1016$8J3.394@trndny09>, "Bill Quinn"
<CaptainSlick@verizon.net> wrote:
> "ASW25" <foOkhed@gmail.com> wrote in message
> news:1136873801.652911.261140@f14g2000cwb.googlegroups.com...
> > Any suggestions for getting good sound on a short film? I have a mike
> > and stand that can be used as a boom, but it can only be used at about
> > 12 inches away or less. I'm stuck on coming up with ideas to get good
> > sound on wider angle shots. I'm shooting on mini DV film. Any ideas?
> >
>
> This isn't an answer, I don't have one, but I've always wondered how much of
> what you hear in a video production was recorded with the video and not
> added later by foley artists and voice over. I suppose it would be possible
> for you to record your video and then recreate all audio in such a way. For
> those of you reading this who know I'd like to hear.
OIC. Thusly I assume you werer referring to "how to ger better audio
without spending any money at all"
Hmmmmm...
OK...like I said, I have used up to 10 minidisc recorders simultaniously
during a video shoot. Sync is NO PROBLEM. I think I paid average about $60
each for the
recorders, plus about $40 each for aditional cables and such.
The proceedure I outlined before worked well enough to get a pro mic
company to "permanantly lend" me 10 really good mics.
As I am reviewing this thread it occurs to me that there are a lot of
opinions that are only that, as opposed to experience in the field.
Each person picks his own pizza!
KM
Navigation:
[Reply to this message]
|