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Posted by blackburst@aol.com on 01/23/06 19:55
Rayne wrote:
> Ah, where would i be without people like you guys! My thinking for
> wireless was that, whilst the majority of our work is with fixed
> semi-studio setup in a church, we also shoot a lot of OB stuff around
> and outside the country during conferences and various trips and it
> would be a useful tool then as well. In answer to an earlier question,
> ideally would have 2 channels, one for the director, Sound, lights etc
> and another for just the camera crew and director. Any further
> thoughts?
>
> M
ClearCom has 2 channel capability. I think the same company makes
PortaCom, which is one channel, I think. Wired is the way to go.
I've done some hairy stuff with ClearCom. I once set up a remote truck
so that the director could talk on CC channel1 to the cameras, etc, and
on channel 2 to the talent, with air audio blended into it (sorta IFB).
And I made a bunch of adaptors, from 4-pin XLR to mini-jack, so studio
talent could also hear director's cues on channel 2 through their
earpiece (but not talk back.)
(I could do a whole article or seires on low-budget TV solutions!)
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