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Posted by Bill Fright on 09/26/86 11:43
Mike Kujbida wrote:
> Bill Fright wrote:
>
>>Does anyone happen to know if Final Cut can use panasonics 100A 24pa
>>signal? I'm going for a dream sequence and I was going to use 24p with a
>> shutter speed of 1/6. I'm trying for blured swish shots of a pick up
>>basketball game. I understand visually the difference between 24p and
>>24pa is smoother motion. There isn't any information about which edit
>>systems can use that signal. Has anyone here messed with 24pa and final cut?
>>
>>Thanks in advance.
>>
>>Bill
>
>
>
> I asked a friend of mine who uses FCP and here's his answer. If you
> have any more questions, ask away.
>
> 24P (Cine-Look) is a Progressive mode at 24 frames per second. These
> images are converted to 60 field interlaced using a 3:2 pulldown. 24P
> Advanced is also 24 frames per second and are converted to 60 field
> interlaced by using an advanced structure of 2:3:3:2 as the pulldown.
> 24P Adv. mode is best suited for true film transfers and was not
> intended for video. Both work with FCP but how is the final project
> going to end up being shown or distributed? That is the important
> question.
>
> Mike
>
It'll end up on DVD as an opening sequence and all the other video was
shot on BetacamSP with my 850 line camera.
Thanks for replying. I think you answered my question. If FCP can see
24pA I'll use it to achieve smoother looking motion in 24p.
thanks
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