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Re: Production radios

Posted by Martin Heffels on 10/05/51 11:51

On Wed, 28 Jun 2006 04:16:14 -0700, "Richard Crowley" <rcrowley@xpr7t.net>
wrote:

>"Martin Heffels" wrote ...
>> "Teeafit" wrote:
>>>They ARE on public frequencies, so there is always the risk of someone
>>>else listening in to your conversations, and even breaking in
>>
>> Get the ones with tone-locked squelch, so you have no interference of
>> others. It is of course possible to find out your sub-audible
>> frequencies
>> with dedicated equipment, so if somebody is very nasty, they could
>> still
>> disturb you.
>
>But that doesn't solve the problem in some urban areas
>where the channels are so heavily used that it is impossible
>to get messages through exactly when you need them. This
>is the major reason we gave up on FRS for produciton
>intercom (i.e. directing camera operators).

That of course depends on the output-power of the radios. The 5W versions
should provide enough output to cover most interference when all radios are
within close range. Indeed, if it gets very busy, like on an event, it will
get impossible, and you would indeed be better off with a wired system, or
something licensed where you are out of the PBR-spectrum (like VHF).
I have used the 150mW UHF-PBR's in Sydney, which is quite "radio-active"
and we never had any problems.
Oh, thinking of this, in some countries it is not allowed to use PBR on a
commercial-base, so better check this with the proper authorities.

cheers

-martin-
--
"If he can he'll smile 'cos he's a Royal Crocodile."

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