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Posted by Jeremy Pollard on 08/18/06 13:47
As the subject suggests, I'm a video producer on a prosumer level and I
do a lot of work for local musicians. Recently I shot a concert with a
rather impressive sound system (it was at an arena) and ran into a
bunch of last minute problems so the only audio I was able to capture
was using my on-camera mic - as you can guess, the audio was very
heavily distorted. For the future, I would like to have another mic on
hand; considering the environment will be very loud, am I better off
with a shotgun or omnidirectional? And is there a specific model or
padding method that will help to capture a more clear sound? Thanks a
lot.
Jeremy
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