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Posted by Greg Melton on 12/01/06 08:58
On 01 Dec 2006 03:51:50 GMT, Roy W. Rising <rwrising@dslextreme.com>
wrote:
>"blackburst@aol.com" <blackburst@aol.com> wrote:
>> Roy W. Rising wrote:
>> > It looks totally lip-sync to me. I've done hundreds of hours of TV
>> > sound. I know it when I see it. The other giveaway is the lack of
>> > change when she pulls the mic a foot or more away. That, plus the
>> > obvious lip flap that does not correspond to what we hear.
>> >
>> > --
>> > ~ Roy
>> > "If you notice the sound, it's wrong!"
>>
>> I hate to disagree with a living legend (that's you, Roy!), but I think
>> the vocal was live. With all sorts of unique phrasing and inflection,
>> she was spot-on through the whole thing. As for pulling the mic away,
>> that may just be really good mic technique, knowing how close/far to
>> keep it for the relative volume. And in one spot, she pulls it away and
>> the volume does drop - about 2:45, as I recall.
>
>Thanks for the lofty apellation! I really don't deserve it.
>
>I'll stand by my statements. She clearly was not "spot-on" all the time.
>The nature of change when she pulled the mic away did not match the
>inevitable proximity effect diminution that would result. No doubt she
>knows good mic technique for live performance, has sung this song many
>times and reflexively does what we saw. Nonetheless, what I heard simply
>did not match what I saw, both in sync and in proximity effect.
It's live. You can hear her pop her "p" at 2:55 in.
Greg
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