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Posted by nappy on 02/16/07 15:27
"Mike Kujbida" <kujfam@xplornet.com> wrote in message
news:1170956143.495007.198660@a75g2000cwd.googlegroups.com...
> On Feb 8, 11:37 am, Ura Dippschit <URN.Id...@idiots.com> wrote:
>> In article <530go9F1qd69...@mid.individual.net>,
>> "Mike Kujbida" <kuj...@NoSpamxplornet.com> wrote:
>>
>> > I said that 15 tracks of varying audio formats WAS a problem for
>> > FCP and that this is something Vegas handles with ease.
>>
>> Except it isn't. That makes you full of shit.
>
>
>
> If you say so.
> Can you drop one each of DV-AVI, MPEG-1, MPEG-2, Quicktime, WMV and
> Real video clips as well as wave, wma, mp3 and mp4 audio clips on one
> timeline and play it back without doing anything to it?
>
> BTW, here's one response from a guy who's used FCP extensively. It's
> from Oct. 2006 so there is a chance that Apple has made some changes
> since then.
>
> Here is the quick list of things that Vegas can do that FCP cannot:
>
> - True format and resolution indepedance
> - Mix resolutions on the same timeline without rendering or losing
> real-time performance (FCP is a LOOOONG way from this)
> - Add, remove and adjust effects During real-time playback
> - Surround sound mixing
> - Unlimted Parent-Child track control
> - Video effects at event, track and output level
> - Video and audio bus tracks for project level automation
> - Bus level automated motion blur and super-sampling
> - One-click audio normalising
> - Real, smaple accurate, audio multitracking tools (audio in FCP is a
> cruel joke)
> - 3D track motion and animation
> - Unlimited point bezier masks
> - Velocity frame rate control envelopes
> - Open scripting in Visual basic or Java script
> - Multiple copies of Vegas open at the same time (have one rendering
> while you edit in another at the same time..!)
> - Punch in, punch out audio recording
> - Streaming media meta-data commands from the timeline
> - On the fly marker inserts during playback
> - Monitor wet/record dry audio recording (hear the input with effects
> but record without effects)
> - Simultaneous multi-channel audio recording with real-time effects
> monitoring
> - Parent-Track compositing modes
> - RED Book CD mastering form the timeline
> - Audio Pitch and Tempo correction on the timeline
> - Control surface suppourt for any MIDI device
> - MIDI Timecode synchronisation
> - Built in Metronome and flexible ruler format including all timecodes
> as well as Measures (bars and beats)
> - Bump, Displacement and Height mapping track options
> - Unlimited 'undo'
> - Import from any source format including DVD camcorders and direct
> export for mobile devices; psp, ipod.
> - Built in CD ripper/extractor
> - Synch audio tracks with online CD database for metadata retrival
> - Built in suppourt for dolby AC-3 format
> - One click red-eye removal
> - Bus to Bus audio mixing
> - Abilty to import, read and edit already authored DVDs
> - Real-time one-click video event Reverse
> - Envelope animation control of transitions
> - Free-hand Paint-on envelopes (audio, pan, velocity, motion blur etc)
> - Split screen preview for pre and post effect...
How quickly they become quiet when you present them with facts. I have never
had so many problems with audio in a video nle as I had with FCP. That point
is lost on people who have never used any other NLE.
>
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