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 Posted by Rick Merrill on 03/01/07 19:12 
blackburst@aol.com wrote: 
> Just a note for any other pros who do a lot of live production: 
>  
> I'm all jazzed about a new switcher I bought for my TV studio. This is 
> not a commercial, almost a test report. 
>  
> It's called Broadcast Pix Slate 2100, and it's part of a new breed of 
> devices called "IPS" - integrated production systems. It's basically a 
> switcher, but it integrates a whole bunch of things that used to 
> require peripherals. 
>  
> It can be bought in different configurations. Mine has 8 inputs. It 
> can be SDI on all 8, but 1-4 also allow composite, y/c, or y/pb/pr. 
> Outputs are also SDI or the usual analog selections. It is comprised 
> of a workstation, tactile panel and break-out box. You add a VGA 
> monitor (or two) and a blackburst generator. I opted to add a Planar 
> touchscreen monitor. 
>  
> The switcher is pretty straightforward. It looks like one m/e buss, 
> but by giving the controls multi-uses, one can do several layers of 
> effects. Lke most digital switches, you can pre-program all sorts of 
> effects or even entire panels for instant recall. Cuts, a zillion 
> wipes, dissolves and several types of keys, including a very crisp 
> chromakey. 
>  
> In conjunction with the switcher are built-in DVEs, so you can do 
> double- or triple-boxes and the like (2D, not 3D). Up to three live 
> sources on the screen at any given time. 
>  
> But there are also the internal sources: This thing has a built-in 
> Inscriber Title-Motion CG, which can include animated graphics. It 
> also has DDRs or clip store: You ingest your clips and they go into 
> the play mode when you transition to them - 2-4 hours of storage of 
> uncompressed video, for stings, opens, closes, commercials, PSAs, roll- 
> ins, B-roll and the like. Or even animations to use under double boxes 
> or CGs. Did I mention the still store? It can store many pages of 
> JPGs. 
 
 
Wow, sounds great - we've just ordered one! 
 
> You usually send sync to your sources, but this unit will also resolve 
> unlocked sources like remote feeds or consumer DVD players (as long as 
> you preview them first.) 
 
Say you have 2 unsynched sources: each is buffering its own frames, you  
start switching back and forth - the switch only happens when ch1 frame 
ends whereupon an already completed (buffered) ch2 frame is used - won't 
the system eventually add or loose a frame? 
- theoretically? 
 
> Redundant power supplies on both the panel and break-out box, and a 
> failsafe connection between the panel and BoB, bypassing the 
> workstation. Razor-sharp video, which looks MUCH better on a WFM/VEC 
> than my older Panasonic switcher, even with my old cameras. 
>  
> A very nice piece of gear, and the company was very helpful anytime I 
> phoned in setup questions. One thing we really needed here was eye- 
> candy, a "look" similar to broadcast TV networks, and now we have it, 
> and at a scant cost. This unit alone cost half of what I would have 
> paid for traditional components. A bit of a learning curve, but I'm 
> catching on very quickly. 
>
 
  
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