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Posted by Manga27 on 03/25/07 05:38
Also, I may have not been clear on what I was suggesting before. I
want to experiment with the green screen as a hobby, and for that I'd
only be using a tripod. But for professional services, I wanted to
invest in a steadicam or glidecam system, and a jib with a remote
head.
Recently I've had some call to do training videos and corporate
conference videos and I thought these would be essential in getting a
filmic look.
Any thoughts?
.... Christopher
On Mar 24, 4:06 pm, "nobody special" <msu1049...@aol.com> wrote:
> My advice is forget the steadicam and jib if you are wanting to do
> blue screen work.
> They add motion to the key that then has to be canceled-out in
> software and that's
> a real hassle. Where you want to add motion to key shots you typically
> need a motion-controlled
> camera jib, that makes moves repeatable with exactitude, which as a
> beginner you cannot likely afford or know how to use.
>
> Trust me; keying a simple locked-down tripod shot is challenging
> enough to do well.
> Get yourself a basic rig: good tripod with fluid head, a competent
> light kit, keying software and the
> camera of your choice alone will take you to your ten grand or
> beyond.
> If you decide to play with steadicams or jibs, rent them just for the
> time you need them.
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