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 Posted by Richard Crowley on 11/02/06 01:13 
"carlmart" wrote ... 
> Richard Crowley wrote: 
> 
>> If you want to discuss double-system sound recording, (for ANY 
>> format, and for ANY reason) then the film/TV production sound 
>> newsgroup: news:rec.arts.movies.production.sound is a significantly 
>> better place to do it than in *this* newsgroup.  97% of the discussion 
>> there is about double-system sound vs. maybe 1% here? 
> 
> Don't think so. Many filmmakers don't go in the production sound 
> newsgroup but do come here. 
 
In several years on BOTH newsgroups, I can't remember the last 
time this happened (if ever?)  How long have you been here? 
 
OTOH I *have* seen filmmakers go to the general film producion 
newsgroup: news:rec.arts.movies.producion with sound questions 
and they are redirected over to r.a.m.p.s 
 
> And it's them I am interested in getting to. I don't care if it's only 
> 1% here. 
 
Good luck with that. 
 
> If you are going to do news style shooting, you can get away with 
> single-system sound. 
 
The overwhelming majority of people in this newsgroup are NOT 
shooting news or even news-style, and yet are typically using single- 
system sound recording (myself included).  For whatever reason it 
seems to be the nature of most people who come here. Even when 
I am doing live-switched multi-camera productions, I send the audio 
directly to the VCR(s). 
 
Only when I am doing productions with complex audio (particularly 
large-scale music performances) do I do double-system sound, and 
then the sound is usualy multi-channel (8-16 track) and intended for 
offline mixdown/sweetening and then layed-back to the video before 
final editing. (And concurrently edited for CD release, etc.) 
 
> Double system sound is a more complicated way to make sound IF you are 
> using a sound-man and a separate recorder. But if you are just using a 
> separate recorder for your audio, you will get to something in between 
> which may improve your control on your audio. 
 
Sorry, I'm not seeing your distinction. In either case you are using a 
separate sound recorder. In what way is having a dedicated crew 
person "more complicated"?  IME, it is rather the opposite. 
 
> These are direction and production decisions we are talking about. 
> And as such they do belong here. 
 
Production decisions indeed. Dunno about "direction decisions"? 
Can you elaborate?
 
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